Unlike most artsy people, I don't have a Mac. But I did see the PC equivalent of a sad Mac frowny face on my laptop, just like our old pal Carrie Bradshaw, and as the Geek Squad guy confirmed, that ain't good. So. I did the only thing I could, which was to 1) hightail it to Target to buy some Christmas presents and, okay, a scarf for myself along with a $6.98 bag that I found smushed in the wrong spot, which I refuse to see as anything other than a little gift from the universe, and 2) compose a picture-less post on my 3G iPhone about the ordeal, no small feat considering I have difficulty even typing texts. Because, pictures or no pictures, not being able to post sucks. When my poor little HP expired, I felt the window slam down on my world. On the flip side, with no Pintetest, Etsy, or shopping to hold me hostage, I've had much more time to spend with my reliable old vicarious/virtual reality buds, books and TV. Which means I'll have lots to blog about once I get a new computer. Maybe that's the takeaway.
That and don't ignore your laptop when it says its fan is broken for five years.
Monday, December 4, 2017
Cardigan: Hearts and Roses London, Zulily
Top: Merona, Target
Skirt: Material Girl, Macy's
Shoes: Chase & Chloe, Zulily
Bag: Betsey Johnson, Macy's
Sunglasses: So, Kohl's
Bag: Candie's, Kohl's
Barrettes, pin, purse charm, and sunglasses: The Tote Trove
Skirt: J. C. Penney's
Shoes: Worthington, J. C. Penney's
Bag: Petite Sophisticate
Bangle: J. C. Penney's
Barrette: The Tote Trove
I always thought it would be fun to do a photo shoot of super-glam clothes amid piles of trash. Not gross trash, like fish heads and tampons, but nice trash, like crushed Dr. Pepper cans and lipstick-smeared tissues. Maybe this is because I'm messy and am looking for a way to legitimize my lack of Martha Stewart-like organizational zeal. Or maybe I just really like Dr. Pepper. Either way, I think it would all make for a lovely landfill.
Two out of three of this week's necklaces were made from trash. That is, trash as in this-used-to-be-part-of-some-store-bought-jewelry-that-fell-apart-while-I-was-wearing-it . . . after, like fifteen years (far be it from me to malign the marvel that is mass-produced fashion). The focal point namesake moon in Blue Moon Swoon was once one of those stretchy rings, and the two gem clusters flanking it were segments in an equally stretchy bracelet. The charms in Purple Circle were from a Gumby-esque bracelet, too. As for Vegas, Maybe . . . well, she was minted from Michael's and Hobby Lobby -- so, new money, like most of the high rollers crowded around the roulette wheel. But that's what I love about making things, the blending of the tarnished with the shiny, of the old with the new.
Fingers crossed one day I find that Dumpster.
Tuesday, November 28, 2017
Skirt: Decree, J. C. Penny's
Shoes: Delicious, Zulily
Originally, I was going to post just five pairs of embellished oval earrings, making for a dangling, dazzling display of (ahem) deca-dence. Then these Christmas balls (lower right; you can barely see them, but trust me, they're there) muscled their way in, shouting, "Make way for Santa! Summer's over, you beach bum bottom feeders!" So, six pairs it is, for a total of twelve twinkling trinkets spread across a Rampage top that cavalierly commands, "Never Stop Shopping."
Such is the force of Black Friday, butting into the quaint, quiet harvest holiday that is Thanksgiving before the turkey's even cold, like some buttinsky uncle shooting peas at Grandma from the wobbly chair at the kids' table. Not that I was without my own (metaphorical) veggie grenade. I was out there with the crazy shoppers, although my mission began at the crack of noon instead of midnight. Bargains were snagged, gift lists were hatched, and, despite my aforesaid snarkiness, I found myself caught up in the excitement of the season. So much so that I popped back into Marshalls the following Monday to check on some pastel potted cacti with happy faces (which were, in my mind, earmarked for my Arizona room, a.k.a. sunroom-slash-office. Hey, houses need presents, too.) But, alas, when I reached their perch between the candied orange peel and metallic gold deer heads, only one was still waiting for me. Which was no surprise, cacti being, like Hansel, "so hot right now." Besides, this was what-will-you-find-today-Marshalls, not the Smiley Succulent Emporium. Although come to think of it, a store like that's not a bad idea. Except it should be called Oren's Oasis, with Oren as a saguaro cactus wearing a cowboy hat and a rakish grin. Both on the sign and in costume. Now, who has the gravitas and comedic chops that such a complex role demands?
I'd better start saving up to pay Owen Wilson.
Thursday, November 23, 2017
Shoes: Penny Loves Kenny, J. C. Penney
Bangles: B Fabulous
September Sunset Necklace
Throwback Throne Necklace
Thanksgiving means turkey and cranberry sauce and pumpkin pie with all the trimmings. For me, it also means a new outfit, which means a new necklace -- or two. I was also tempted to make a cornucopia-themed Carmen Miranda headdress but blew my craft supply budget on plastic fruit and desserts for my kitchen. One fake food priority at a time, I guess. Anyway, the big necklace is called September Sunset because it's a nice harvesty yellow and orange and November Sunset doesn't roll off the tongue. The little necklace is called Throwback Throne because the cameos and old-timey ice cream parlor chair are retro -- and because a chair made for downing ice cream is a modern-day throne if ever there was one. Well, other than the toilet (although I have a necklace somewhere with one of those, too). Finally, the dress is from Target. It was a $14.99 clearance rack steal that said "Little House on the Prairie" goes to the city. Which is, as you know, a look for which I'm always striving. The only problem was that the necklaces kind of blended in with the floral print. But no matter; I just whipped out a turquoise top, and presto change-o, a whole new photo shoot shot.
Yep, Turkey Day fashion has more game than meets the pie. And I don't mean football jerseys and big, stretchy pants. I'm talking about the beaded rainbow splendor of the Native Americans, the very forefathers (and mothers!) of free-spirited flair. The Pilgrims' drab garb paled in comparison, all black and white starch and obtrusive belt buckles. No colors in their wind, my friend. Unless the Aldens OD'd on succotash and got an unpleasant surprise on their way to the leaf pile. Hmm. Looks like I circled back to toilets.
Here's hoping that your Thanksgiving was full of fantastic fashion, family, and, of course, food. And minimal bathroom malfunctions.
Monday, November 20, 2017
Boots: Two Lips Too, DSW
Green bracelet: Parade of Shoes
Beaded bracelet: Plymouth Plantation Museum
Green ring: Claire's
Orange ring: Gifted
Barrette: The Tote Trove
Dress: Lula Roe
Shoes: Nine West, Marshalls
Bag: Olivia Miller, J. C. Penney's
Silver belt: Boscov's
Turquoise belt: J. C. Penney's
Sunglasses: Rampage, Boscov's
Royal blue bangle: Kohl's
Turquoise bangle: J. C. Penney's
Flower bangle: J. C. Penney's
Barrette: The Tote Trove
Skirt (dress): Target
Shoes: J. C. Penney's
Bag: Petite Sophisticate
But back to western wear. Or should I say flair? Or maybe even square . . . as in, dancing. No, definitely not that one. Too many flashbacks to fourth grade music class and the grand drama of being paired up with the class Casanova or the kid who always smelled like old cheese. So, flair it is! And I troweled it on when making these necklaces. Impractical, kitschy, and showy, they're everything that a no-nonsense country girl isn't -- and still somehow capture her essence. And who knows? Maybe that girl is sick of wide open spaces and stores that only sell chicken feed. Maybe she wants to light out for the city and kick up her heels and wear something sparkly, Bessie and her bum udder be damned . . .
Okay, time to rein it in. Let's peruse a few pics of ranch-friendly stuff in my suburban-New Jersey-estranged-from-Mr.-Ed house, shall we? I don't know about you, but I think a little frontier flavor makes any house homier.
And hits the spot when you want something western that isn't an omelette.
A painting I got for $5 at Kirklands.
Cacti and birdies, a.k.a. the "squawkers."
Sunny side up with sunflowers.
Monday, November 6, 2017
Pink tunic: Miken, Marshalls
Skirt: Mossimo, Target
Shoes: Penny Loves Kenny, Zulily
Bag: Apt. 9, Kohl's
Bracelets: Cloud Nine
When I was a kid, I was confused by tortoiseshell. It didn't look anything like its namesake reptile, but more like a leopard or a puddle of Coke with raisins incongruously mixed in. Still, I liked it. It had a timeless, simple sort of glamour that made otherwise ordinary combs, sunglasses, and barrettes seem sophisticated. So, when I saw these tortoiseshell circle barrettes, I was immediately inspired to put my own stamp on them in the form of Swarovski crystals. Because accessories this delicate call for something more refined than mere rhinestones. The result was part princess part disco diva, and I liked it so much that I kept going, hunting down other turtle trinkets that I could embellish.
Speaking of turtles, here's a shot of the official mascot of this post. I lured him from his perch on my bookshelf with promises of fame and fortune (okay, insects), and once he got in front of the camera, he was hooked, hamming it up with with all of the gusto of our old friend Tammy (who is, by the way, residing comfortably in her new quarters. But more on that later).
That said, let's talk about this top. I've shown it backwards because that's how I first put it on. The "real" front is plain except for a little keyhole. (Also, there's no pink. That's another lace top.) I blame Target, as this is the way they displayed it. Then again, it seems like they've suffered enough, as they still have a rack full, reduced to half price. That's when I nabbed mine, as gleeful as a gazelle tracking a fresh crop of grass shoots (hey, no one said success had to be bloody.) I may not always know a blouse's front from its back, but I could bargain stalk in my sleep. Anyhoo, turns out I like the ruffle in the front. It has a kind of Victorian-lady-meets-Dolly-Parton feel with a 1970s twist when teamed with the tortoiseshell. Plus, it makes a great frame for necklaces. Mr. Turtle liked it, too; I know because he was nibbling it post-shoot. I think he thought it was albino lettuce.
I guess shopping and life aren't all that different. Slow and steady wins the lace. At $9.99. Unless you're supermarket sweeping your way through the express lane or something and set off a sensor. Which, now that I say it, doesn't make any sense.
I think this one got away from me.
Tuesday, October 31, 2017
Some may say that Halloween is nothing without blood and guts and body-snatching bad guys and those weird, made-for-school movies about inspecting your candy for poison and razors. But to all that I merely say, "Boo!" So, here's to the sweet side of the scariest night of the year with a cute-to-boot barrette battalion. Cartoonish candy, amiable aliens, a bat, and a polka-dot pink pumpkin (not a pumpkin with chicken pox or acne or worse as one unnamed observer commented) tune out the tricks and turn up the treats as we near the witching hour this year. After all, these are friendly aliens, much like the one (okay, the anthropomorphic UFO) in the classic Halloween children's book (and one of my personal favorites) Space Case.
In Case, "The thing," as the alien/UFO is called, descends to Earth on Halloween to learn our ways -- and snag a Snickers or two. The story is strange and mysterious and even wryly funny. I particularly liked the bright, graphic cover and remember wishing that I could get it printed on a sweatshirt. (It was the '80s, so this wasn't completely outside the realm of possibility.) Anyway, when I think of Halloween stories, this is the one that comes to mind. Sorry not sorry, Scary Stories to Tell in the Dark.
That said, I hope your Halloween was more marshmallow pumpkins than smashing pumpkins. Which, now that I've said it, doesn't work on both levels because "Today" is a really great song.
Screw it; just enjoy those Snickers.
Monday, October 30, 2017
Shoes: Bucco, Kohl's
Electric Geometric Necklace
Let's face it. These posts are always about something old/bold, new/true, and/or blue/glue-y (borrowed not so much, unless you count my occasionally unauthorized shots of other people's yards). But they aren't always about books, and they're almost never about marriage. Except for this one, which is about a book about marriage. Sort of.
It's not often that I read something that hangs on in my head for days. But The Marriage Plot did, with all the tenacious nerve of a drunken guest who just won't leave a wedding. Written by Jeffery Eugenides, the same man who gave us The Virgin Suicides and Middlesex (full disclosure: I've never read Middlesex; I just like referencing it.) comes a coming-of-age novel about love, commitment, and, as always, the big, bad world.
It begins in 1982 and is about Madeline, Mitchell, and Leonard, all seniors at Brown. Madeline is an English major with a university president father, Mitchell is immersed in religious studies and is the son of hard-working immigrants, and Leonard is a troubled genius scientist from a broken home. The first "oh, my" moment occurs when prim and proper Madeline flees graduation to visit Leonard, her estranged boyfriend, in the psych ward. Brainy and beautiful, Maddy is so besotted with Victorian lit that she's gone and hand-picked herself her own dark horse hero. No nice guys for her, especially not her nerdy friend Mitchell. Mitchell is, in many ways, the Ducky of this story (even though I kept picturing him as Andy Sandberg). Kind and sensitive, he's a salt-of-the-earth Midwesterner whose mission is to search for truth and wisdom, no small part of which means protecting Madeline. But his earnestness is no match for Leonard's brand of brooding brilliance. After graduation, Leonard is chosen to join an illustrious research team on Cape Cod -- and he's asked Madeline to go with him. Dejected but not beaten, Mitchell backpacks through Europe to study religion, ending up in an ashram in India.
The Marriage Plot starts out slowly. In the beginning, Eugenides spends a lot of time discussing literature, philosophy, and what it means to be an English major. Which can sometimes be a little heavy. But it's necessary to lay the foundation, shaping this book into one of the best I've ever read. It's got all of the ingredients for a great American novel: themes of class, gender, religion vs. science, first love, unrequited love, and the great what-if that yawns, chasm-like, after graduation. True to his title, Eugenides plays with the marriage plot, that old staple of Austen, Bronte, and other Victorian-era authors, just as Maddy and her classmates play with that old lit parlor trick deconstruction, turning everything sacred on its head. Clever and canny, Eugenides cuts to the heart of human relationships and the compromises we make to satisfy social norms. All three main characters struggle to achieve an unattainable ideal. Leonard, despite his misdeeds (and there are many), is a victim of the very biology he seeks to master, just as Madeline is held hostage by her allegiance to the subservience of Victorian mores. And Mitchell . . . well, Mitchell tries to be the white horse guy.
Before I go on, I should say that I'm about to do that thing I sometimes do, which is to break the blogger-reader anti-spoiler contract in the spirit of some English major-y analysis. So, if you want to read this book (instead of just my interpretation of it), then for the love of Derrida, stop reading this post. On a related note, to anyone who thinks that this post has taken too much of an ivory tower turn for a blog about clothes and crafting, I say this: Bling thing, you make my heart sing. You make everything -- glue-y. Consider that my version of the dancing squirrel in that old Nick at Nite commercial about viewers who can't handle a serious message.
Okay. Now that that's out of the way, we can dive into that spoiler. At one point, Mitchell writes Madeline a letter in which he begs her not to marry Leonard. Or, as he puts it, "Do not marry that guy!" He professes his love in an endearing, self-deprecating, very Mitchell way and tells her that she has options, all but saying that he'll offer her his hand if only she refuses Leonard's. But Madeline never responds and does marry Leonard -- only to have it all come crashing down Gothic novel-style a mere month later when he relapses and lands in the hospital. A kind of mad-woman-in-the-attic-and-Heathcliff hybrid, Leonard represents all that is paradoxically caged and unhinged in Victorian literature, and it's too much for Madeline -- and for him. So he deserts Madeline and eventually (and cruelly) asks for a divorce, leaving Mitchell, ever waiting in the wings, to pick up the pieces. He and Madeline hang out, get close, and then get together. But it's not the storybook ending that Mitchell's always imagined. Something's off. Mitchell knows it, and Madeline knows it, and although it kills him to do it, Mitchell brings up the letter. He tactfully retracts his thinly veiled but ever-present marriage proposal in favor of a much more self-sacrificing proposition -- namely that Madeline, unlike all the Victorian heroines before her, choose not to tether herself to another guy, even if that guy is him, and instead follow her dream to become a Victorian lit scholar. This was meant to be Mitchell's good deed, not nursing the sick in India. Madeline accepts, and we know that this is what she's wanted all along. Because The Marriage Plot isn't about Madeline and Leonard or even Madeline and Mitchell; it's about Madeline. It's about idealism and expectations and cutting through all that to get to what's real and important. That's what makes this book so heartbreaking. That happy endings aren't what you were taught, that to get a real happy ending, you have to give something up.
Damn, Jeffery (Eugenides). No wonder you won a Pulitzer. Even if it was for Middlesex, which everyone on Amazon liked so much better.
So there you have it. Great reads and fresh beads. That's how we roll at The Tote Trove.
Monday, October 23, 2017
Sweater: Arizona Jeans, J. C. Penney's
Skirt: Mossimo, Target
Shoes: Chase & Chloe, Zulily
Bag: Olivia Miller, J. C. Penney's
Red and yellow bangles: B Fabulous
Maroon bangle: Iris for INC, Macy's
Top: Xhilaration, Target
Skirt: Mossimo, Target
Shoes: Penny Loves Kenney, Zulily
Bag: Nine West, Ross
Sweater: Poof, Marshalls
Dress: Wet Seal
Shoes: Forever Link, Zulily
Bag: Betsey Johnson, Macy's
This post is all about fall, that diva of seasons that insists on going by two names: 1) the aforementioned playful descriptor of the tumbling leaves and 2) the more sophisticated and somewhat haunting autumn. And really, who could blame it? It's a very confusing time, cold one day and hot the next, with Halloween and Christmas decorations competing for space in the stores as you shuffle by in your parka and flip flops.
Speaking of change, I'm settling into my new house. Which is more fun than I ever imagined. You see, I've never thought of myself as a "house person." People would talk about things like wainscoting and accent chairs, and my eyes would glaze over as I went on a shoe shopping spree in my head. But now that I'm a homeowner (a word, by the way, that I used to find very pretentious), decorating is the best craft project and game of dress-up combined. Each room is like an outfit, with its own colors and textures and personality, and each picture frame, knickknack, and pillow is like a shiny new accessory. Just when I think I'm done, I get another idea, and then it's off to the races. Or, more to the point, HomeGoods or Michaels.
On that note, I had a wonderful time making these leaf barrettes. As autumn activities go, crafting beats bobbing for apples or jumping into piles of leaves that may or may not harbor earthworms. I've been wanting to make these for years and finally said, now's the time! Maybe this tree in my yard tipped the scales. It's no maple, oak, or other icon of fall foliage. But that's what makes it so special. It's a snowball tree, so named for its round flower globes, which were white at the height of summer when the husband and I first saw them. Now the blooms are a dusky purple, which, albeit less vibrant, have their own old-fashioned, autumnal charm. Just like those withered old cornstalks that, light-leeched and decrepit, replace summer's bright kernels.
This is all getting very Walt Whitman. You know. If Whitman got glumly gushy about produce. He's the guy who wrote Leaves of Grass, that classic (if convoluted) exploration and celebration of nature and the self. Not to be confused with the guy responsible for the chocolates that come in the yellow box. Now there's a dude who deserves a shout-out. Maybe next time I'll post about Great Profiles in Caramel: Up Close and Delicious With Whitman and Russell Brand.
I mean, Stover.